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Cosimo Tura Pieta (The Dead Christ Supported by Two Angels) 1475
Art History Museum, Vienna
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Cosimo Tura An Allegorical Figure 1460
National Gallery, London
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Cosimo Tura Pieta (mk05) Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863
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Cosimo Tura Anthony of Padua Reading (mk05) Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863
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Cosimo Tura The Spring mk156
c.1455-1460
Oil with egg tempera 116.2x71.1cm
National Gallery
London
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Cosimo Tura The Virgin and Child Enthroned with Angels Making Music mk170
1474-1475
oil and Egg tempera on poplar
239x101.6cm
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Cosimo Tura The Muse Erato mk170
1459-1463
Oil on poplar
116.2x71.1cm
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Cosimo Tura Saint Jerome in the Desert mk170
1475-1480
Oil and egg tempera on poplar
101x57.2cm
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Cosimo Tura Triumph of Mercury 1476-84 Fresco, 216 x 320 cm
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Cosimo Tura Allegory of July: Triumph of Jupiter 1476-84 Fresco, 216 x 320 cm
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Cosimo Tura Madonna and Child in a Garden 1452 Oil on panel, 53 x 37 cm
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Cosimo Tura The Madonna of the Zodiac c. 1453 Tempera on panel, 121 x 69 cm
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Cosimo Tura St Francis of Assisi and Announcing Angel c. 1475 Oil on panel, 30 x 11 cm
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Cosimo Tura Virgin Announced and St Maurelio c. 1475 Oil on panel, 30 x 11 cm
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Cosimo Tura Madonna and child in a tradgard mk234
about 1455
53x37cm
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Cosimo Tura virgin and child enthroned mk247
c.1475,oil and egg tempera on poplar,94x40 in,239x101.5 cm,national gallery,london,uk
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Cosimo Tura Der Fruhling Date Deutsch: um 1460
English: c. 1460
Medium Oil on panel
Dimensions Deutsch: 116 ?? 71 cm
cyf
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Cosimo Tura Madonna with the Child Enthroned 1474(1474)
Medium Oil on wood
cyf
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Cosimo Tura Detail circa 1475(1475)
Medium oil on panel
cyf
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Cosimo Tura
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1430-95
Italian Cosimo Tura Galleries
Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara.
Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles.
In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity.
He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.
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